Parasite: Bong Joon-ho and his composer pushed to get a key tune precisely proper

Parasite: Bong Joon-ho and his composer pushed to get a key song exactly right

Every component of Bong Joon-ho’s Parasite is completely calibrated, from the performances to the units to the music. The most unbelievable a part of the rating is a monitor that runs greater than seven minutes lengthy: “The Belt of Faith,” which performs alongside a key sequence within the movie. (Incidentally, it was additionally Parasite’s Oscar-night music.)

As the Kim household, who’re struggling to make ends meet, slowly infiltrate the wealthy Park family, they weaponize what the Park matriarch calls “the belt of faith” — the Kims suggest one another for jobs with the Parks, who belief their suggestions, slightly than playing on hiring by way of a service or open interview. The monitor accompanies the Kim household’s coup de grace in benefiting from that so-called belt.

“It is version 7 or 9 that you are listening to,” composer Jung Jae-il instructed Polygon by way of e-mail. Despite what number of feelings the monitor was meant to include — and the way many individuals and conditions it was juggling — Jung mentioned director Bong wished the rating to precise only one texture with concentrated sounds. “Music could be the railway,” Jung defined, “and the drama, actors, and situations could be the chain of trains.”

The problem in following that mandate was in avoiding simply following the tales taking part in out on display screen. Instead, Jung was tasked with carrying them alongside easily, “like a bullet train.” Jung says he had thought considered one of his earlier variations of the tune was excellent, but it surely didn’t meet Bong’s satisfaction. “I drank so much that night with despair,” he says. “The next morning, I crawled to the piano and started improvising meaningless phrases, and that led me to the final version you are listening to.” (In an earlier interview with Polygon, director Bong recalled that the wrestle to get “The Belt of Faith” good made him worry that Jung would by no means work with him once more.)

For the general sound of the movie, Bong instructed Jung he wished to search out the best “sound texture” that may run all through the movie, and talked about strings as a key component. “He said he listened to Handel and Vivaldi, who is the symbol of Baroque [music], while he was writing the script,” Jung mentioned.

But the reliance on strings created its personal difficulties. “Strings are especially difficult to express with computers,” Jung says, explaining that his composing course of concerned first sitting down with Bong to debate the place the music was meant to go, then composing on the pc and letting Bong pay attention. If Bong preferred what he was listening to, the subsequent step was orchestrating and recording the music. If he didn’t, Jung would re-write.

Other items of Parasite’s rating have been easier, similar to “Zappaguri.” That monitor, which performs like a compressed model of “The Belt of Faith,” comes throughout a sequence the place the Kims wrestle to satisfy a good deadline, with every member of the family juggling a separate hectic activity. “The approach was totally different from ‘The Belt of Faith,’” Jung says. “I wished it to perform within the model of a Tom & Jerry piece,” emphasizing every beat of the motion slightly than flowing by way of like “The Belt of Faith.” That course of was a lot smoother: “Mr. Bong liked it the first time.”

Parasite is streaming on Hulu now.

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